Variety is the spice of life and this is never more true than when discussing art. “TEN: Then and Now” the latest exhibition by the Norman Rea Gallery truly captures

Rhys James is surprisingly familiar. Years after he graduated from Manchester University, he still has the air of a student pursuing a zany hobby. His irreverent but clever comedic style

Blank brick walls with a beaten up solitary sign reading ‘Road’ greets the audience with a sparsity of spirit that is all too common in the depiction of the working

Vision’s new Stage Editor, Daniel Underwood, is very excited. For the past couple of days he has been bouncing around the place in anticipation of a new production by the

There’s always bound to be something exciting about a play which begins with the warning, “contains fake nudity” especially when that play is a student-written interpretation of one of your

If there is one thing York is particularly good at, it’s student media. And that being said, when ComedySoc announced the first Have I Got News For York of the

Jessica Hutchinson finds herself “exceedingly impressed” with Journey’s End.

Eleanor Mason catches up with comedy duo Hurt & Anderson after their Fringe preview…

Nadine Garbett reviews The Jekyll & Hyde Case from ByTheHand Productions, calling it “a uniquely modern and unexpectedly touching rendition of the classic tale”.

Rachel Seymour reviews TFTV’s production of John Vanbrugh’s comedy The Provoked Wife, calling it “the perfect end to a fantastic year of drama at the university”

Emily Roads reviews You’re a Good Man Charlie Brown, a “captivating mix of nostalgic innocence, existential crises and perfectly synchronised choreography”.

Rosemary Collins reviews Weathering Lows, a “shocking evocation of the experience of mental illness”.

Belarus is Europe’s last dictatorship. 20 years ago, President Alexander Lukashenko rose to power after winning the election with a majority of 79% (and allegedly fixing the votes). Since then,

This year, York DramaSoc celebrates its 50th Anniversary: how far we’ve come since the good old days of 25 audience members in Central Hall. There is a lot to celebrate:

Sinead Hammond is engrossed by the dystopian vision of A Clockwork Orange.

Helena Horton reviews Comedysoc’s Present and Correct